Body | Image
Installation View, 2015
Installation View, 2015
Anna Betbeze, Nine Planets in the Dark House, 2015, Acid dyes, ash, wool, 220 x 165 in.
Erica Baum, Perpetual Flux, 2014, Archival pigment print, 12 x 16 in.
Erica Baum, Swirl Retinues, 2013, Archival pigment print, 14 7/10 x 18 in.
Meredyth Sparks, Extraction (La Petite Ferme (Blackbird) Wrapped Stretcher), 2015, Cut-out digital print on canvas, fabric-wrapped stretcher, 78 x 57 in.
Meredyth Sparks, Extraction (Mauve Grid, with padding), 2015, Digital print on canvas, fabric, 77 1/2 x 52 in.
Ellen Berkenblit, Berkeley Mews, 2013, Oil on canvas, 90 x 76 in.
Maren Hassinger, Fringe, 2015, Newspaper, 15 by 30 by 3 in./unit
Press ReleaseDownload as PDF
- Eric Baum
- Ellen Berkenblit
- Anna Betbeze
- Emily Clayton
- Meredyth Sparks
- Maren Hassinger
Susan Inglett Gallery is pleased to present the exhibition BODY | IMAGE including work by Erica Baum, Ellen Berkenblit, Anna Betbeze, Emily Clayton, Meredyth Sparks, with a special installation by Maren Hassinger from 11 June to 31 July 2015.
Bringing together the work of six intergenerational artists working across media, Body | Image examines the pre-reflective appearance of the corporeal in works of contemporary abstraction. Merleau-Ponty was the first to propose that one could not consider perception without considering the body as mediator of experience. On a conscious or subconscious level this interface is fundamental to the reception and perception of our world. The existence of the body in Art of the abstract/conceptual nature shown here, though surprising should not be unexpected.
The appearance of the corporeal in each of these artists’ work ranges from the literal to the implied to the implicated. On one end of the spectrum, we find figures pushing forward from the book pages of Erica Baum’s (b. 1961) “Naked Eye” series confounding her “unmanipulated route to abstraction” or the spectre of the disembodied figure coalescing from the boldly abstract clash of color and shape in Ellen Berkenblit’s (b. 1958) “Berkeley Mews”. At the other end, we have the work of Anna Betbeze (b. 1980), Emily Clayton (b. 1982) and Meredyth Sparks (b. 1972). Here the existence of the body is equally powerful even as its presence is intuited. The human image is conjured in many subtle ways, be it scale, physicality, color, aura. Agnes Martin consciously elected to work on a 6’ square to mirror and draw in the viewer. The Abstract Expressionists suggested the human presence through sweeping, performative gesture. Each of these artists have absorbed and are fully cognizant of the subtle means that serve to implicate the viewer in the work. Consider Maren Hassinger’s (b. 1947) immersive newspaper environment. Simple in its construction, complex in its effect – lining the enclosed space with thousands of long strands of twisted newspaper she transforms the white box into a deeply personal, psychic and physical experience.
The difficulty of a pure, objective rendering is evident; knowledge and understanding being tempered by personal experience and personal experience being mediated by the physical body. The so-called non-objective is necessarily peppered with memory and a human presence that complicates and enriches. It is no wonder that we find our self reflected at every turn, even where we least expect it.
The exhibition will be on view at the Gallery located at 522 West 24 Street Tuesday to Saturday 10 AM to 6 PM. The Gallery will be closed in observance of Independence Day 3 to 6 July beginning summer hours Monday to Friday 10 to 6 through July. For additional information please contact Susan Inglett Gallery at 212/647- 9111, fax 212/647-9333 or email@example.com