24 April 2021
William Villalongo is the recipient of the 2021 Jules Guerin/Harold M. English Rome Prize. Learn more HERE.
21 April 2021
William Villalongo joins Phyllis Hollis in the latest episode of her podcast, Cerebral Women.
11 March 2021
William Villalongo's work, Mother Tongue (2020), was featured in the April issue of Harper's Magazine alongside Terrance Hayes’ poem, Woolworth.
11 February 2021
William Villalongo will give a private exhibition tour on the Gallery's Instagram Live on Thursday, 11 February at 1 PM. Please join us by following us on Instagram.
16 October 2020
William Villalongo joins curator Rena Hoisington of the National Gallery of Art, Washington D.C. for a Zoom conversation hosted by the International Print Center, NYC, and the International Fine Print Dealers Association entitled "Form through Darkness: The Works on Paper of Jean-Jacques Lagrenée and William Villalongo." Click HERE to view the conversation.
01 August 2020
Susan Inglett Gallery presents William Villalongo’s work, Zero Gravity 1 (2018) as part of the project, Art Off-Screen, curated by Eileen Jeng Lynch, taking place across multiple locations internationally. The work will be on view from the front window of the Gallery starting 1 August through 1 September 2020. Visit the Gallery to view Zero Gravity 1 in person or head to our online viewing room HERE to learn more about the work.
25 June 2020
On Thursday, 25 June, William Villalongo will join artist Mark Thomas Gibson and curator Christian Viveros-Fauné in conversation as part of the online exhibition, Life During Wartime. Watch HERE.
19 June 2020
We are honoring Juneteenth with our new viewing room for William Villalongo entitled Black Metamorphosis. His work considers the depiction of Black bodies throughout history, evoking the experience of the Black diaspora and celebrating Black identity.
16 June 2020
William Villalongo's works are featured in the online exhibition, Life During Wartime, curated by Christian Viveros-Faune, organized by USF Contemporary Art Museum, Tampa.
07 February 2020
William Villalongo's work, Vanitas (2017), is on view in the exhibition, Yesterday's Tomorrow: Selections from the Rose Collection, 1933-2018, at the Rose Art Museum at Brandeis University, Waltham, MA. The exhibition is up through 13 September 2020.
01 October 2019
20 September 2019
William Villalongo's Free, Black and All American No. 3 (2017) and Flex (2017) will feature in the exhibition Q-Tip: The Collection at Bonhams, NYC, opening 20 September 2019.
17 September 2019
14 June 2019
William Villalongo's Beautiful Boys (2019) acquired by the Toledo Museum of Art.
07 June 2019
William Villalongo’s The Abduction of Bacchus has entered the permanent collection of the Hood Museum of Art at Dartmouth College, Hanover, NH.
08 March 2019
William Villalongo featured on the cover of Art in Print.PDF
28 February 2019
07 February 2019
03 October 2018
William Villalongo speaks at Parsons Fine Arts as part of the Visiting Artists Program 3 October 2018 at 7 PM.
01 September 2018
William Villalongo in Glade Hits, a group exhibition at Halsey McKay Gallery, East Hampton, NY 1 September 2018 through 4 November 2018.
29 June 2018
06 June 2018
Postcard from New York - Part II, a group exhibition including William Villalongo, opening at Anna Marra Contemporanea, Rome, 6 June 2018 through 27 July 2018.
01 June 2018
William Villalongo in Guns in the Hands of Artists, a traveling exhibition at the Fairfield University Art Museum, Fairfield, CT opening 1 June 2018.
11 May 2018
William Villalongo will participate in New Perspectives on Leon Golub, a panel discussion held in conjunction with the exhibition Leon Golub: Raw Nerve at The Met, Friday 11 May 2018.
10 May 2018
William Villalongo in Go Figure, a group exhibition at the Pizzuti Collection, Columbus 10 May 2018 through 12 August 2018
04 May 2018
William Villalongo and Susan Inglett Gallery are proud to support the Studio Museum of Harlem as part of this impressive list of donors to “Creating Space : Artists for The Studio Museum in Harlem : An Auction to Benefit the Museum’s New Building”
26 April 2018
26 April 2018
Jasper Johns: A Life's Work: John Yau, Martha Wilson and William Villalongo in conversation on artistic legacy and canonization at the Brooklyn Public Library 26 April 2018.
09 April 2018
28 February 2018
Profile of William Villalongo and Black Pulp!, curated by William Villalongo and Mark Thomas Gibson in WHYY.PDF
27 February 2018
02 February 2018
Black Pulp! curated by William Villalongo and Mark Thomas-Gibson at the African-American Museum in Philadelphia 2 February through 29 April.
05 January 2018
William Villalongo in Oscillation curated by Dan Cameron for Jonathan Ferrara Gallery New Orleans, 5 January 2018 through 23 February 2018.
29 November 2017
William Villalongo "Keep on Pushing" reviewed in Hyperallergic, 29 November.PDF
28 November 2017
Now Available, William Villalongo "Keep on Pushing" T-Shirts!
22 November 2017
William Villalongo "Keep on Pushing" reviewed in the New Yorker, 27 November.PDF
03 November 2017
William Villalongo in "Lack of Location is My Location" at Koenig & Clinton, Brooklyn, NY, 3 November 2017 through 7 January 2018.
25 October 2017
William Villalongo's solo exhibition "Keep on Pushing" listed as one of "10 Must-See Art Shows Opening This Week" by PAPER Magazine.PDF
25 October 2017
William Villalongo's solo exhibition "Keep on Pushing" listed as one of "18 Thing You Should See During New York City's Print Week 2017" by Artnet news.PDF
15 September 2017
William Villalongo in "Near & Dear" curated by Carrie Moyer at the Elizabeth Foundation Project, NYC 15 September to 28 October 2017.PDF
12 September 2017
William Villalongo's solo exhibition, “Outside My Name or Through Other Eyes,” at the University of Connecticut Storrs Contemporary Galleries 12 September to 13 October 2107
02 July 2017
William Villalongo's “Barack and Nefertiti in the Vela Supernova Remnant" featured in "Which Artist should Create Obama's Official Presidential Portrait?," Hyperallergic by Seph Rodney on 2 July 2017.PDF
13 June 2017
"Black Pulp! and Woke!", curated by William Villalongo, reviewed in Creative Loafing by Caitlin Albritton on June 13, 2017.PDF
02 June 2017
"Woke! : William Villalongo and Mark Thomas Gibson" at University of South Florida Contemporary Art Museum, Tampa, FL, 2 June 2017 through 22 July 2017.
02 June 2017
"Black Pulp!", curated by William Villalongo and Mark Thomas Gibson, will travel to University of South Florida Contemporary Art Museum from 2 June 2017 through 22 July 2017, in conjunction with "Woke!". The exhibition originated at Yale University's 32 Edgewood Avenue Gallery and traveled to the International Print Center New York, NYC.
14 April 2017
William Villalongo and Susan Inglett Gallery are proud to support 7-inches for Planned Parenthood. The project is made up of contributions from acclaimed creative minds, artists and musicians, who stand with Planned Parenthood and its patients. Vinyl with artwork will be released in batches digitally, and will be made available in its entirety as a box set. Each set will include a unique piece of artwork accompanying two of unique music, spoken word or comedy. Planned Parenthood will receive 100% of the proceeds from the sales and listens.
27 January 2017 - 19 March 2017
"Crossing the Line: Selections from the Grinnell College Art Collection," Faulconer Gallery, Grinnell College, IA
19 November 2016 - 16 January 2017
"November's Bone," at Halsey McKay Gallery, Hamptons, NY, on view through 16 January 2017.
1 October - 17 December 2016
"Black Pulp!", curated by William Villalongo and Mark Thomas Gibson, will continue to travel, having originated at Yale University's 32 Edgewood Avenue Gallery to the International Print Center New York, NYC. The exhibition has received reviews in the New York Times, Art in America, Hyperallergic, amongst others.
23 June 2016
"Disguise: Masks and Global African Art, Where Traditional Meets Avant-Garde," by Ken Johnson featuring William Villalongo in The New York Times, 23 June 2016PDF
Fountain Head Residency in Miami, FL, Summer 2016.
31 May 2016
"Masks as Muse: The Brooklyn Museum's Modern Discourse of African Art," by Constance Victory Small in After Nyne, 31 May 2016PDF