Susan Inglett Gallery
Skip to main content
  • Menu
  • Home
  • Exhibitions
  • Artists
  • Viewing room
  • Press
  • Focus
  • Publications
  • Art Fairs
  • News
  • Contact
  • I.C. Editions
Menu

MARCIA KURE

  • Overview
  • Works
  • Exhibitions
  • Press
  • Publications
  • Video
  • Art Fairs
Open a larger version of the following image in a popup: Framed collage featuring images from anthropological magazines, art publications, and colonial era photographs

MARCIA KURE

For Southern Kaduna II – Were Shadows to be Banished, 2017-2020
98 lb. / 160 gsm Mi-Teintes paper mounted on 300 lb. / 640 gsm Arches HP watercolor paper
25 1/2 x 19 7/8 in. Sheet
31 1/4 x 25 3/8 in. Frame
Copyright The Artist
Enquire
%3Cdiv%20class%3D%22artist%22%3EMARCIA%20KURE%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EFor%20Southern%20Kaduna%20II%20%E2%80%93%20Were%20Shadows%20to%20be%20Banished%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2017-2020%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E98%20lb.%20/%20160%20gsm%20Mi-Teintes%20paper%20mounted%20on%20300%20lb.%20/%20640%20gsm%20Arches%20HP%20watercolor%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E25%201/2%20x%2019%207/8%20in.%20Sheet%20%3Cbr/%3E%0A31%201/4%20x%2025%203/8%20in.%20Frame%3C/div%3E
View on a Wall
The artist's considered choice of source material contributes to the overall messaging of Kure's collage works, as they point to the various participants in globalised systems of representation and subjugation....
Read more
The artist's considered choice of source material contributes to the overall messaging of Kure's collage works, as they point to the various participants in globalised systems of representation and subjugation. A 2020 cover of Art Journal, portraying an idyllic, tranquil landscape, plays the foil to a distressed protagonist. Of such relationships, the author states, "This forged, fused, and forced union — the kind of union that yields similar traits and sometimes it yields contradictions. I’m not really interested in the things that have a fixed or defined position or definition. I am more interested in things that are constantly shifting, things that defy categorization, it’s not really a question of what I can use to position or frame my paintings, but more about the places in between, the grey areas if you will, the negative spaces."
Close full details

Exhibitions

"Hybridish," curated by Alistair Hicks, Georg Kargl Fine Arts, Vienna, AT, 5 September 2020 - 3 October 2020
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
14 
of  32
Manage cookies
© 2020 SUSAN INGLETT GALLERY
Site by Artlogic

522 West 24th Street New York NY 10011 212 647 9111 info@inglettgallery.com

Instagram, opens in a new tab.
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Join the mailing list
Send an email

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup

* denotes required fields

Susan Inglett Gallery is committed to data security and to protecting your privacy. The gallery is in full compliance with requirements as stipulated by the General Data Protection Regulations (GDPR). Should you wish to change, update or delete any of your details, please contact us.