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CHANNING HANSEN

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Open a larger version of the following image in a popup: A cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting with areas of loose weaving allowing the viewer to see the stretcher and the wall behind
Open a larger version of the following image in a popup: A detail of red, yellow, and purple knitting, allowing the viewer to see the varying weave
Open a larger version of the following image in a popup: A detail of blue and orange knitting, allowing the viewer to see the varying weave
Open a larger version of the following image in a popup: A detail of purple, pink, and gray knitting, allowing the viewer to see the varying weave
Open a larger version of the following image in a popup: A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
Open a larger version of the following image in a popup: A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
Open a larger version of the following image in a popup: A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
Open a larger version of the following image in a popup: A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
Open a larger version of the following image in a popup: CHANNING HANSEN, Continuity Fabric, 2021

CHANNING HANSEN

Continuity Fabric, 2021
California Variegated Mutant (Rhea), California Variegated Mutant (Sriracha), California Variegated Mutant (Talia), Cotswold (Sassy), Jersey Wooly (Miss Maple), Romeldale (January), Romeldale (Qassiopeia), Romedale (Shelby), Romedale (Tapestry), and Teeswater (F2019-0339) fibers; Tussah silk, and Mulberry silk; holographic polymers, and photo-luminescent recycled polyester fibers; Ingeo corn, soy silk, and bamboo carbon fibers; Sequoioideae Redwood
50 x 45 in
127 x 114.3 cm
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Further images

  • (View a larger image of thumbnail 1 ) A cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting with areas of loose weaving allowing the viewer to see the stretcher and the wall behind
  • (View a larger image of thumbnail 2 ) A detail of red, yellow, and purple knitting, allowing the viewer to see the varying weave
  • (View a larger image of thumbnail 3 ) A detail of blue and orange knitting, allowing the viewer to see the varying weave
  • (View a larger image of thumbnail 4 ) A detail of purple, pink, and gray knitting, allowing the viewer to see the varying weave
  • (View a larger image of thumbnail 5 ) A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
  • (View a larger image of thumbnail 6 ) A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
  • (View a larger image of thumbnail 7 ) A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
  • (View a larger image of thumbnail 8 ) A detail of a cacophonous composition in multi-colored fibers stretched across a redwood frame as one would stretch a painting. The fibers are knit at varying thicknesses so that in places one can see through the stitches to the wall behind. The composition has a wave-like pattern with many fractal fields of varying colors
  • (View a larger image of thumbnail 9 ) CHANNING HANSEN, ALGO 54 2.1, 2014
View on a Wall
'The intersection between weaving and science has a long history, one that dates back to Charles Babbage’s nineteenth-century analytical engine (and to Ada Lovelace’s early algorithms for it), which was...
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"The intersection between weaving and science has a long history, one that dates back to Charles Babbage’s nineteenth-century analytical engine (and to Ada Lovelace’s early algorithms for it), which was based on his observations of jacquard looms, the first partially automated weaving machines. To go back much further, even Aristotle knew that technē (or craft) was also a form of knowledge, a way of understanding, and an opening into the unknown. Hansen is the latest in such a lineage, and his constructions are at once marvels of handwork and invitations to contemplate our world from another point of view..."— Andy Campbell, Artforum
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Exhibitions

"CHANNING HANSEN: I, Algorithm" Susan Inglett Gallery, NYC, 08 September 2021 - 16 October 2021.
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