As befits the subject, “HELL” represents Robyn O’Neil’s largest and arguably most complex work to date. At 14’ long, incorporating over 35,000 collage elements and 65,000 figures, the project is both a literal and figurative odyssey. Drawn features are interspersed with cut paper to create a dense multidimensional space. In O’Neil’s “HELL”, a somber narrative unfurls, drawing the viewer into a world of robed figures and sweat-suit clad men clambering to exit their terrifying and gruesome existence. Inspired by Giotto’s “Scenes from the Apocalypse”, O’Neil’s “HELL” rivals the medieval depiction of the end of the world in ambition and imagination.